Blow on the Embers

Fire is sacred. Fire burns. Fire transforms.

The poet, Rumi, says:

            Love is the fire and we are the wood.

Blase, my partner, adds:

            And therein lies our freedom.

On Wednesday our fire blazed. Our household quintet, Blase, my partner, Ariel, my daughter, Ethan, her boyfriend, and Holly our housemate gathered, and burned heaps of apple prunings.

The prunings fall from the orchard trees in February. They’re lopped, snipped, and sawn off the trees over two weeks. We prune to vitalize the trees, direct their shape, remove dead and diseased wood, and most importantly, to let in light. We open up windows for sunlight to penetrate the tree, making sure all branches have a sky view. When one them doesn’t get enough light, they start to shrivel, even more shaded, become smaller, until they die back.

The pruned apple branches winter on the ground under the trees, providing healthy food for voles and mice who chew the bark. Then, when the snow is gone, and the small creatures have plenty of other foodstuff, we collect all the prunings and burn them. Fire blight, a bacterial infection is dormant in winter, and hides in the branches. Burning all the pruned wood help keep fire blight out of the orchard.

Holly and I gathered the tools, throwing them in the back of Blase’s old pickup truck—rakes, a shovel, a box of newspaper, kindling, matches, a portable gas water pump, and long hose. We also grabbed the canister of kerosene. Ariel and Ethan hopped into the bed of the truck. 

Around this mountain of prunings we made small fires with newspaper and kindling. We had a Christmas tree dropped off by a friend. Ariel jammed it into the pile above my small fire. It took. Whoomm! Whoosh!

Ethan and Ariel lighting the fire.

Ethan and Ariel lighting the fire.

The flames licked through the tree, disappearing the needles and small branches. Then there was quiet. We tried to whisper our small fires into blaze until Blase arrived. He took the container of kerosene and started pouring throughout. With his blazing instincts, the fire caught.

The apple wood is green so you need a hot fire to really get them to take. But they did and the fire burned. More wood caught, whirring and snapping, and the flames grew. Menorahs of little flames on sticks, candles on an altar, a pyre. Fire warming our hearts.

With the forks attached to the bucket of the tractor, I rumbled along the apple rows. Our bonfire contained only a small portion of the orchard prunings. Holly had piled the rest at the end of each row. I teased the forks under a pile at the far end of the orchard, lifted, and scooped, held the massive tangle high up in the air and drove back to the fire. Blase and Ethan were tending with pitchforks. Putting the tractor in low gear, I pulled as close to the flames as I dared. With the bucket held high, Blase signaled, and the bucket dumped. Flames leapt, Blase and Ethan teased out the caught stragglers, and I reversed, to circle back to the next row for another pile pick up.

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Meanwhile Holly and Ariel gathered blueberry prunings and white pine branches from across the road in the berry patch. We had little traffic jams on the cart road, but everyone has more patience these days: we’re in no hurry, we’re just here.

In only a few hours, we managed to burn what we needed to. As the fire ebbed, we listened to the last cracklings, and stared into the black sea of charred wood. Some embers transformed into white ash. With the breath of wind, snowflakes rose and fell.

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In the final lines in Archibald MacLeish’s play, JB, his retelling of the story of Job, Sarah says to her husband,

Then blow on the coal of the heart, my darling,
It’s all the light now.
Blow on the coal of the heart.
The candles in the churches are out.
The lights have gone out of the sky.
Blow on the coal of the heart
And we’ll see by and by . . .

Strength, even in darkest times, can be found in a whisper. The dark and the light, the suffering and joy, have always been and will always be the human condition. We can choose to kindle the fires, to breathe love through it all. The photo below is from a women’s Full Moon Fire we had on March 7, 2020. It’s hard to believe our world has changed so much in less than a month. When we can be physically close to each other again, we will celebrate with a great bonfire. You are all invited!

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Ripples

Sitting at the window in the loft above my studio I look over the pond. The reflections of the trees show only the slightest rippling. As if on cue, two geese quack through the air and splash-land. What are they communicating at this time of world crisis? 

 The poet Rilke wrote:

I live my life in widening circles
that reach out across the world.
I may not complete this last one
but I will give myself to it.

Their bobbing beaks pierce the flat surface of the water creating a pattern of two interlocking circles. As these two rings expand outwards, their individual rings dissolve and form one large circle, then another, each one widening into more circles. The geese have become a great concentric ring-making machine, the vibrations extend almost across the pond. Copernicus would have been charmed by this binary sun. I think of all the human beings on the planet, how we haven’t seen the rings of our interconnectivity and interdependence quite this graphically before the pandemic spread. Can we deeply know that everything we do has repercussions that extend far out into the world? Will we remember this lesson?

I am taking a breather. I enjoy this opportunity to focus my attention on the geese, and not on the airspace around us. I have only been watching for a few minutes; they will glide and bob hour after hour, day after day, week after week, month after month. I don’t live within this kind of repetition; I seek what’s new. Something to assert, or is it insert my presence into the world? I always have plans, projects, things to do.

The geese begin swimming towards shore. One goose approaches and looks back, its mate is not following, so it turns back. I lose track of them and then espy them floating in the reeds along the edge of the pond. They occupy their own world in the cold water, churning out circles as they bob down and up with precision.

I consider how the geese are oblivious to the virus. They don’t know that my daughter and her boyfriend have moved in with us or that we are isolating ourselves physically from the rest of the world. They don’t know the longer I watch them, the closer I feel towards them. 

Two Geese on the Pond

Two Geese on the Pond

I’ve lost track of the geese, where did they go? Meanwhile, raindrops fall from overhanging branches into the pond making their own gentle circles. 

Then I see one goose chase its mate out to the center of the pond, its neck hammering forward with surprising violence. Is it propelling its mate to swim faster or propelling itself with this motion? The geese are responding to a competitor who has entered their airspace. The intruder kept flying, and my two friends are quiet again, tucked near shore, bobbing for food. A green noodle of pond weed hangs from one of their beaks. The other has its back to me and I watch its webbed feet vigorously paddling to keep its backside lifted with its head and neck submerged. Is it seeking something more delicious, or more difficult to pull up, or something deeper? The tipping point is so hard to maintain. 

Even in the midst of social distancing, let’s keep our circles widening. There are so many people who will need help financially, emotionally, spiritually, and physically. Toss pebbles into the pond, send prayers, call your friends, let love ripple the world.

I watch a little longer. I begin to feel like I know which is male and which is female. It’s quite silly, why would I even think that? One goose seems quieter, more delicate, and maybe a little smaller. But, of course, that’s all wrong, my personal bias. There are many species where the female is larger than the male. 

Compassion increases the more attention we give something. Isn’t that the way the world works?  In this time of social isolation, we need to be in touch, send out our love, and share what others are experiencing.

I have recommitted to posting a blog on Sundays as a way for us to stay connected. It may not be polished prose, but I will try to offer some small distraction from the numbers and charts. I send my love to all of you, each of you facing your own challenges, each of you dear to me.

The second and last stanza of Rilke’s poem is :

I circle around God, around the primordial tower.
I’ve been circling for thousands of years
and I still don’t know: am I a falcon,
a storm, or a great song?

A storm is raging, let’s be the great song, bow our heads, and let the ripples echo across the planet. 

We Are Connected, LH, 2020, wax.

We Are Connected, LH, 2020, wax.


Forest Tales

Our quartet, my stepfather Bill, daughter Ariel, and partner Blase, returned one week ago from our trip to Tibet. However, condensing two intense weeks of pilgrimage into a brief blog, like making a few jugs of sweet juice from bushels of ripe apples, takes time. The apples need to sweat, I need to distill the experience.

Meanwhile the Catalpa tree with its large heart-shaped leaves outside my studio window is no longer green and leafy, but is sending brown flying carpets everywhere. And in the woods, the sight-lines are clear as tree branches lay bare the sky, and the spiced air welcomes the forest walker.

Next Sunday morning, November 17th at 11 am, I invite you to join me for a forest walk in one of Stow, Massachusetts’ conservation areas, The Leggett Woods. Here along a meandering trail, I installed thirteen sculptures, a world of acorn-capped acrobatics, a mother and child, a boy and a turtle, a frog, each one fixed onto a forest stone. The storyteller sits near the beginning reading to three acorn-capped children.

Caps for Sale

Caps for Sale

The paths are cleared and covered with wood chips so discovering each one is not difficult. The Stow Conservation Trust, the private land preservation organization in Stow, hopes to attract more families to explore their trails by creating special places to visit and enjoy. 

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The genesis of this project began along Old Frog Pond Farm’s woods trails where a series of bronze meditating figures are permanently installed. They are small, and you would think go unnoticed, and perhaps do for some people, but most others notice one sculpture, and then another, and another, and are delighted by the shift in scale, the quietness, and simplicity of these bronze figures on rocks.

Vita Matisse sitting with sculptures.

Vita Matisse sitting with sculptures.

My granddaughter enjoys sitting on the large rock among them. Other children add acorn caps, a perfect fit for the bowed bronze heads. We don’t encourage interaction with the sculpture on exhibit at the farm, but I thought these acorns caps were a charming addition and have since cast a few figures topped with them. The wood burns out in the lost wax process.

When I was considering a possible sculpture for the Leggett Woods, I thought about a village of sculptures that might encourage children to get down on their hands and knees, and play. Perhaps add some more acorn caps, or build a little house of twigs, or add stones and leaves—an artwork to encourage interaction with the forest life.

The Stow Conservation Trust worked hard to find volunteers to help with the land clearing and creation of the trails. I am especially grateful to the committee I worked with directly, Janet Kresi Moffat, Ann Carley, and Carol Gumbart, and to the Alice Eaton Grant Funds for supporting the commission.

Another person I have worked with for many years is poet, Susan Edwards Richmond. In the first issue of Wild Apples, the journal of nature, art, and inquiry we founded and edited with two other friends in 2006, Susan wrote poetry for a series of my bronze boat sculptures. When I told her about this commission, I hesitantly asked if she might like to write a poem—I knew her creative focus was now on children’s books (Bird Count published by Peachtree Publishing Company came out last month!). As the date for installation got closer, Susan wrote, “Where are you installing the sculptures in Stow?  Could you use another hand? I can meet on the 11th as long as it's after 1:45 pm.”

It was a kind offer, but among Susan’s many talents is not operating a hammer drill or epoxy gun. I didn’t reply. She wrote again a few days later, “What time? Would you like some local help? :)”.  This time I answered, “Sure! Maybe around 11? You follow the trail then take the left fork. Can’t miss.”

Susan arrived when John Lowe, my assistant, and I were well into the installation. We’d been there since 9 am. Of course, Susan and I both knew she wasn’t coming to help with the install, but with notebook in hand she immediately knelt down in front of a sculpture.

Susan will be reading the Forest Tales poems at the opening next Sunday. There will be kids’ activities, refreshments, art, nature, and poetry. Hope to see some of you on Sunday, November 17 at 11 am. And I promise a Tibet blog soon!

Directions: Leggett Woods is on Whitman Street just off of Gleasondale Road (Route 62). If you are driving South on Route 62 from the intersection of Route 117 in Stow, go about a mile, turn left at the fork with signs for Honey Pot Orchards , and the Leggett Woods parking area is on your right.

The Storyteller

The Storyteller